Posts Tagged ‘Awesome’

Kieronononon: Three Man Party

Wednesday, April 8th, 2009

Thou still unravish’d bride of quietness,
Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fring’d legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?

Ode On A Grecian Urn [extract] – John Keats (1795 – 1821)

If Keats were alive today, it is unlikely he would revel in conjuring out the imagery contained in contemporary dishware. Sadly, our pallid Ikean pastel washes will never compare to the intricate tales that would unfold from a simple combination of glazed clay and paint. With this void of inspiration apparent, Keats and others like him would need to uncover a new muse. An inspirational outlet with a comparably contrasting combination of simplicity and intricacy. A source of endless joy to behold for all. For them, and for you, I would recommend Kieronononon.

Entitled Three Man Party, Kierononononon’s latest work is one of the greatest examples of post-modern auditory expressionism imaginable to contemporary mankind. Where the Ancient Greeks would use mere clay as their base, Kieronononononon lay down a backbeat to rattle the Parthenon. In place of the intricately painted strokes there are soaring guitar lines and the potter’s indistinct caricatures replaced by bowel-threatening sub frequencies. Where the Grecian urn would tell just one tale of amazement, Kierononononononon tell several.
Six, to be precise.

From the moment the disjointed percussion of opening track, …And You’re Not James Bond Either, coasts into the consciousness of the listener it is already clear that this work possesses a quality far surpassing that expected of ordinary musicians. As the sounds of the rest of the troupe roll in, a deep sense of euphoria can be felt as the voice of Goatboy enters your ears, gleefully stylised as if being re-broadcast from the halcyon fields themselves.

*cough*

Apparently I’m not allowed to write a proper review.

Anyway, the new EP is pretty good.
Decent production, well structured & whether you particularly like the music or not, it’s genuinely interesting to listen to.
If I was going to give it some kind of arbitrary rating so that you can judge it by my opinion then I’d give it some stars out of a few. There’s some trendy buzz words like mathcore or artrock that you might find useful if you rely on genre specifications to define your tastes, similarly there’s probably some comparison to established artists like Mike Patton & Mr. Bungle to be made if you’re too cautious of trying something new.
Whatever you might think from that, it’s worth the three quid they’re asking for the CD.

Check out the video to …Eventually He Did from the EP.

Three Man Party by Kieronononon

It’s only £3. You can get it at the Roxxor2 Shop by clicking right here.

Other things you should look at and listen to:

Roxxor2.co.uk

brutaltechnopunk.com

Kieronononon @ Facebook

Kieronononon @ MySpace

Kieronononon @ Last.fm

Kieronononon @ YouTube

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Invaders Must Die + Band Commentary

Wednesday, February 25th, 2009
The Prodigy - Invaders Must Die

The Prodigy - Invaders Must Die

The Prodigy & Last.fm have just started a new approach to the whole album preview thing. They’ve got the whole album up and streaming, but each track is interspersed with the band talking about the track that’s playing. It’s actually quite interesting. Helps with identifying some of the samples too.

Last.fm : Invaders Must Die + Band Commentary

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Turntable Tape Record

Friday, January 23rd, 2009

That last post reminded me of this, which I thought I’d posted long ago.

It’s a ‘unique’ way of playing cassette tapes (and floppy disks) on a record turntable.

Turntable Tape Record

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An alternative approach to converting vinyl to digital.

Friday, January 23rd, 2009

Another inventive audio project – transcoding the audio information from a record groove into digital format using digital images of the record itself. The end product isn’t all that bad and sounds nice (to me).

Digital Needle – A Virtual Gramophone

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Batman sues Christopher Nolan over name rights.

Sunday, November 9th, 2008

This is quite fantastic, in the literal sense.

The city of Batman in Turkey is attempting to sue Christopher Nolan for using their name without permission.

They’re not trying to sue the estate of Bob Kane for creating the character, they’re not trying to sue DC who owns the character, and they’re not trying to sue Warner Brothers for the publication of the film series. I honestly have no idea why they chose Nolan as the target for this, and I fully expect it to get laughed out of court. It’s a bit of a shame, because it would have been hilarious to watch it all unfold/unravel.

Hurriyet Daily News article

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Simon Pegg writes about the post-death of traditional values.

Wednesday, November 5th, 2008

I liked Dead Set a lot. In fact, the only bad thing I can think to say of it was that I noticed one of the more gruesome (but funny) scenes was edited away in the saturday night ‘full’ version. After films like 28 Days Later and the Romero remakes, seeing zombies run no longer irks me. It’s more of an evolution of film than of zombiekind as far as I’m concerned. Yet with films like Romero’s more recent works as well as Shaun of the Dead, the shambling zombies aren’t giving up. They’re just taking their time to get things done right.

Simon Pegg has written an article in The Guardian explaining (in true fanboy detail) why Zombies do not run, and why this spoiled Dead Set for him. While I don’t have the same loathing for the sprinting undead, I can pretty much agree with every point he makes and it’s definitely worth reading.

Article:
The Dead and the Quick – Simon Pegg, The Guardian 04/11/08

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That's quite a good idea.

Friday, October 24th, 2008

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Charlie Brooker takes a shot at Big Brother.

Wednesday, September 3rd, 2008

Charlie Brooker (that guy who used to write the good bits in PC Zone) has written a new series for E4. It’s based around the Big Brother concept and the producers (a subsidiary of Endemol) have let him use the Big Brother house as a set. It looks like it will be a complex tale about the evolving relationships between the contestants in the house, and also a look at their lives when they leave the house.

There’s a little bit more to it than that though.

I would strongly suggest you watch the trailer.

E4 site for Dead Set (with trailer)

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Korg DS-10 Synthesizer.

Saturday, August 2nd, 2008

- Two patchable dual-oscillator analog synth simulators:
- Four-part drum machine that uses sounds created with the analog synth simulator
- Six-track (analog synth x 2, drum machine x 4) /16-step sequencer
- Delay, chorus, and flanger sound effects available from the mixing board
- Three note-entry modes: touch-control screen, keyboard screen, matrix screen
- Real-time sound control mode via touch-control screen
- Exchange sounds and songs and play multiple units simultaneously through a wireless communications link

The Korg DS-10 Synth for the Nintendo DS was released in Japan last month and is undoubtedly the best music-making tool I’ve seen on a handheld, full stop. Pocket Music was probably the only actual (commercially available) contender to be honest, which was actually a pretty good sample-based tracker that was sadly dolled up and packaged as a ‘you can make Eminem songs’ toy. Nitrotracker is a pretty versatile DS Homebrew comparison but it just doesn’t quite compare to, well, something made by Korg.

There’s a single short sample on the AQ Interactive site which for some reason is just a bland & basic electronica track, wasting a chance to show the actual range of output it’s capable of, but does give an example of the fantastic tone of the machine.

A far better example was produced on video – 2 x 2 serial linked machines hooked up to a mixer and played live.

Also, for some bizarre reason, one of the best features is completely glossed over… the ‘matrix screen’ mentioned in the specs is actually a Kaoss Pad. A proper one. A fully functional Kaoss Pad, controlled on the DS’ touch screen. In a promo video from the Frankfurt thing, the demonstrator mentions the Kaoss Pad as a ‘little bonus’, which I thought was quite a sweet way of understating it. You’d have thought they might play that feature up a teeny bit, but then again, the type of person excited by a Korg synth on the DS is probably already pre-ordering it regardless.

Apparently a US release is scheduled for October through XSEED, and a worldwide release to follow (although no actual dates on that….)

I want many.

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BAMAN PIDERMAN

Friday, July 25th, 2008

The sandwich bit is my favourite.

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